{Quietly waiting.}
Dear you,
A poem by Emerson. Terminus. A monospaced bitmap font easy on fatigued eyes, designed by Dimitar Zhekov. Last stop! A Roman divinity presiding over boundaries and frontiers. End of the line! Hotel Terminus. No reservation costs, and guest parking is available for a surcharge. Here I sit. In Oslo. Awaiting sighting of the scarred Risso’s Dolphin (Grampus griseus). Little is known of this dolphin, save its weakness for squid. But I’ve more than temptation snacks to woo. In my skill set the oft undervalued virtue of patience. He will come. I will wait.
Yours bobbing in deep waters,
X
+ Quietly working
+ Louise's For Martha is on display as part of the 2013 Libris Awards: Australian Artists' Book Prize
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Monday, 03 June 2013
End of the line! Hotel Terminus...
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Comments
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Traveller dear,
Louise Jennison and I make artists’ books, we make all sorts of things, and most usually we make things on paper. Collaboration comes naturally to us both; it is an enjoyable process that yields treasure not possible without the other. Working side-by-side, as we do from our home-based studio in Melbourne, Australia, it is a pattern we are familiar with, a path we are delighted to tread, seeing what new scenario evolves. Collaboration throws up the unexpected, and what is not to like about that?
When not with scissors in hand, I can be found writing about ballet and contemporary dance for Fjord Review, and (upon occasion) painting and collage for RMIT.
With paper sufficient to cover the moon and sincerely yours,
Gracia Haby
(High Up in the Trees since 2006)
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