As things seem to become obscenely busy as gallop toward year’s end pace picks up (this mad dance, my friends, it is fast wearing out my soles), it’s good to see that some of us know how to RELAX. Loafing at my side today, Percy, Olive and Omar. They are taking it easy.
{Percy}
{Olive}
{Omar}
Comments
Loosen up, unwind, unbend, and take it easy.
As things seem to become obscenely busy as gallop toward year’s end pace picks up (this mad dance, my friends, it is fast wearing out my soles), it’s good to see that some of us know how to RELAX. Loafing at my side today, Percy, Olive and Omar. They are taking it easy.
{Percy}
{Olive}
{Omar}
.
*
..
Traveller dear,
Louise Jennison and I make artists’ books, we make all sorts of things, and most usually we make things on paper. Collaboration comes naturally to us both; it is an enjoyable process that yields treasure not possible without the other. Working side-by-side, as we do from our home-based studio in Melbourne, Australia, it is a pattern we are familiar with, a path we are delighted to tread, seeing what new scenario evolves. Collaboration throws up the unexpected, and what is not to like about that?
When not with scissors in hand, I can be found writing about ballet and contemporary dance for Fjord Review, and (upon occasion) painting and collage for RMIT.
With paper sufficient to cover the moon and sincerely yours, Gracia Haby
(High Up in the Trees since 2006)