(House-trained and well-groomed. Three framed cat collages on the gallery wall until Sunday. Make haste! (90, Port Jackson Press Print Gallery, Collingwood)
(Through a veil, a merging of fiction and truth, neon and kids' toys. (The opening celebrations of De Anima, Brook Andrew, RMIT Design Hub))
(Big tick. Another team of little painted footy players done. (For Antique Toy World, Camberwell))
(Great leaps and fast flips, I join the acrobatic lineup. (Before dipping into Opera Australia's Falstaff, State Theatre)
(Old hand Perce, at @ronagreenart's studio, admiring the inked beasts of Beastarium.)
(Lenni on the sill, ears cocked.)
Choc-full December is racing by and Christmas is almost here, but not before I share with you two links to Gracia's utterly brilliant recent written pieces on Fjord Review.
In Recovery, Disarming and Delicate, Recovery, Nat Cursio and Shannon Bott, The Substation
Ros Warby Returns, Ros Warby: Double Bill, Dancehouse
Last week, I had the good fortune to see both dance works, and I wish I could have read these two responses beforehand.
In other news, we are thrilled to be a small part of Katrina Rodabaugh's brand new book, The Paper Playhouse, and to have a suite of prints available exclusively to Milly Sleeping, Carlton, all December long.